34 : The Global eBook Market: Current Conditions & Future Projections A rst survey on the Austrian ebook market, released on September 29, 2011, by the Austrian publishers’ and booksellers’ association (HVB) showed that just 17 per- cent of Austrian publishers have sold ebooks as of 2010. Another 21.7 percent are planning to do so in 2011, 30.1 percent at some point in the future, while 36 percent said that they had no plans for ebooks. This compares to Germany, where 35 percent of publishers already o er ebooks, and another 43 percent plan to include ebook editions in the near future. (For details, see the Börsenverlag study from spring 2011 in the discussion on Germany.) The Austrian study reveals several more distinctly di erent developments and expectations between the two countries, as even those publishers in Austria who have launched ebooks do so for just 10 to 20 percent of their new releases and prefer distribution from their own website (with online retailers and Libreka being the second and third most popular options for distribution). PDF is the prevalent le format with 88.5 percent of the titles, yet half of the ebooks are made available in EPUB as well, and 15 percent in the MobiPocket format for Amazon’s Kindle. Three out of four books are distributed with some copyright manage- ment included, yet only 35 percent of the books come with DRM, and 65 percent have digital watermarks built in. Under such circumstances, it is hardly surprising that no domestic infrastructure for ebook distribution and services has been set up, and publishers—just like local chain and independent bookstores—are instead encour- aged to use services from companies based in and run from Germany. At this point, no local branch o ces of any of the major German service providers have been opened. No data is available on ebook titles from Austrian publishers, nor are detailed revenue gures available so far. According to the publishers association, ebooks currently account for less than 1 percent of the book market, and the association’s projections are that this share will grow to 5 to 7 percent by 2015. According to Germany, where Austrian imports account for only about 3 percent (not, as expected by the equivalents in size, around 10 percent). In recent years, this imbalance has signi cantly increased. Between 2008 and 2010, in an overall at book market in both Germany and Austria, imports from Germany to Austria have increased by 8.14 percent, as exports by Austrian publishers into Germany slumped by a remarkable 24 percent, re ecting on a domestic publishing sector in Austria that has ever growing di culties in reaching out beyond is borders. The Austrian debate on ebooks has been largely shaped by Hauptverband des österreichischen Buchhandels, the Austrian publishers and booksellers support of their German equivalent Börsenverein, in their legal action against Google’s unauthorized digitiza- tion of copyrighted works from libraries and against the proposed Google settlement. Austrian publishers so far have been very cautious with regard to investing in digitization, with only a very few o ering current new print releases in ebook formats what electronic titles they do release are also di cult to nd in the catalogs of German distributors and online retailers. Some, like general trade publisher Haymon, had started to build a modest list in 2011 and add digital editions of their printed releases as a routine procedure as of spring 2012. For distribution of their ebooks, mostly German services have been chosen. But as on the German side, the ebook market is largely dominated at this point by a few of the leading publishing groups. It is forseeable that it will be ever harder for small Austrian house to carve out a digital niche. As no data on speci c ebook developments in Austria have been released for 2012 at this point, it can be only assumed that consumers in Austria, as they are tightly tied into German media and distribution networks for cultural content, will closely follow their neighbor’s overall evolution when it comes to ebooks and digital content.
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